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Laurus Myth
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
In the Shade
Acrylic on Panel, 24" x 32", 2023
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Taking one piece of a puzzle, repeating it, expanding it, and building another form beyond- this is how I begin abstraction. This work has been instrumental in testing and expanding my color palette, including subtle tone hue and tint variations. Starting from a shadow I found in the corner of the art studio, cast by the furniture at Golden Hour one April. This work is the flagship painting for the Caves Series.
Catacombs and Cathedrals
Acrylic and Mixed Media on Panel, 24" x 48", 2025 (Original SOLD) Prints Available
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
After the Smithsonian published an article highlighting the secret passages beneath the Alhambra, I started thinking about the darker, deeper places that I hold in myself. The catacombs and levels beneath the surface, mirroring the curved arches and tapering windows of the old fort above, are rarely accessible to the public. The Alhambra’s dark, secluded pathways were kept hidden and safe for its denizens to move across the complex unseen.
A New Cave
Acrylic on Canvas, 30" x 40" , 2024
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
Using codes and patterns from a cartographic map, my inspiration for this work came from an article on newly discovered caves. A circular patterned grid mimicking structures in society or points on a graph is abstracted from the scientific collection of samples from a cave in Iceland. Just as maps help us understand our outer world, I see painting and art-making as a true investigation into my inner world.
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